Archive for August, 2011

Red Carpet Crystal Ball

August 31st, 2011

Entire companies have been built around following celebrity trends. The reason is that what celebrities wear has a huge impact on what consumers want to buy and consequently, on what retailers want from manufacturers. Consumer purchasing, however, is not always a direct “like it – buy it” scenario and is contingent upon the consumer tailoring a favorite celebrity look to meet every day reality. As a fashion accessory, jewelry must walk the fine line between what consumers want, what is accessible and what fashion sets the stage for.

For generations, the fashion industry has spurred annual sales with seasonal introductions that become consumer “trends”. This “trending” was noted as early as the 1800’s when American author Henry David Thoreau said, “Every generation laughs at the old fashions but religiously follows the new”. We all follow fashion trends to some extent. The fact is that we have no real choice. No matter what we purchase, whether season’s late or on sale, is a result of fashion trends dictated by designer aesthetics, merchandiser’s needs, editor’s visions, publicist’s influence and celebrity style choices. Jewelry styles also trend, but in fashion’s footsteps. As an accessory, jewelry design is formed and framed by clothing lines, what materials are used and what colors, combinations and looks are fashionable.

Consumer purchasing is driven by the equation of two elements: Desire and Relevance! Our desire for a product is driven by our wants and dreams, our self-appraisal and how we’d like others to perceive us. Relevance is the reality filter of how that item will fit into our lives. Our economic and social situation, our physical needs and to some extent, what society deems as appropriate.

Desire is cultivated by marketers in many ways with one of the most effective tools being celebrity placement. Kim Kitchings of Cotton Inc. notes that consumer are, “.. looking towards stars as fashion inspirations…young women are immersed in magazines, movies, television shows and especially MTV and they take their fashion cues from them.”

American’s have a voracious appetite for all things celebrity. From a numbers standpoint celebrity media generates some of the highest circulations and viewership of any media, in some cases delivering visuals and messages to 4 times the audience. From an emotional standpoint the reasons are numerous:

• Celebrities get noticed and help marketers cut through the clutter. People identify with their favorite celebrities

• Celebrities act as a “guidepost” on what’s hot and what’s not. After all they have access to the newest and best products and style advice.

• Celebrity use of a product confers an endorsement. People aspire to the products that celebrities like. Ownership of those items helps facilitate our basic need for self-esteem.

• Celebrity-owned products signify success and are usually shown in the desirable context of glamorous events.

This “red-carpet effect” points to a well-documented potential for purchase. In February 2010 the Wall Street Journal reported “.. (Sandra) Bullock’s Vivienne Westwood gown at the People’s Choice Awards ranked among the top of all red-carpet appearances this year in inspiring viewers to click through to retail sites.” Celebrity wear also has the same impact on jewelry. Last year, Women’s Wear Daily (March 2009) reported, “Several pieces of jewelry worn by celebrities such as Angelina Jolie and Beyonce Knowles at this year’s Academy Awards and Golden Globes, ranging from $85,000 to over $1,000,000 have been sold”. And evidence of this is not merely anecdotal. In a study by AM demographics respondents 18 to 34 ranked celebrities as their primary influence when “wanting possessions that others have”. Among respondents 35 to 44 celebrities ranked secondary (to friends) but still maintained a generous influence.

Relevance, a mix of what’s fashionable at the time, the economy and what society deems as “appropriate”, gets added into the mix. The equation of what is desirable over what is relevant to a target market helps provide insight and direction on what will trend. This is how desire and relevance is helping shape jewelry design and sales trends:

• Celebrities are wearing more color on the red carpets and using their jewelry to either match or contrast with their colored gowns. This is being supported by the wide variety of colors and bolder prints that we’re seeing introduced by fashion designers. The trend will continue and there will be more interest in jewelry with color: Colored diamonds, colored gemstones and color mixes of both will continue to be popular as well as larger pieces that will stand up to the bolder prints.

• Garments are styled with a more relaxed silhouette overall, showing wider open necklines, bare arms, less beading and plenty of movement. We’ve recently seen many “Grecian” styled gowns on the red carpet. This relative “bareness” points to the fact that jewelry will be more important to compete a look and is already paving the way for larger sized pieces such as larger earrings and necklaces, as well all the wearing of multiples.

• We are seeing more popularity of younger celebrities today and societal shifts are showing evidence of less differentiation between male/female roles. This introduces a whole new generation of men who wear jewelry regularly and often multiple pieces. This will inspire continued increases in the interest for men’s jewelry and more “masculine sized” jewelry for women as well as more blackened metal. Additionally, less rigid dress-codes (for work and play), combined with a “trading up” mentality mean that pieces with versatility, such as pins or “buildable pieces” that can be worn for a number of occasions or added-to over time will be popular.

• The recent economic situation has shifted the consumer mind set and priorities for purchase decisions. Many celebrities don’t want to appear to be “blinged-out” and overall, people, including celebrities, have adopted a “high/low” mentality to dressing (mixing disparately prices items). People will look for bigger more important looks and want to emulate the “celebrity-look for less”. According to W Magazine in their recent survey uniqueness, special occasions and value are the most important motivators. Higher priced or larger gems will be popular when mixed with the casualness of non-precious elements to create uniqueness and value.

When it comes to creating new pieces and forecasting which products will be huge and which won’t, nobody has all the answers. However, looking at what consumers desire and developing ways to meet that desire with products that are relevant to your target is an excellent strategy. Viewing celebrities and celebrity media as vehicles used to create desire will definitely give you a peek into what consumers will be looking for and help turn that red carpet coverage you’re watching into a crystal ball.

TanzaniteOne discovers 12,100-carat tanzanite stone weighing 2.42 kg

August 31st, 2011

TanzaniteOne Limited said it has unearthed the third-largest high quality gemstone ever mined in the decade that it has been operating. 

 The 12,100-carat tanzanite stone, weighing 2.42 kg, was discovered at the firm’s main tanzanite project in the Simanjiro district of Tanzania.

 It is believed to be the third-largest tanzanite ever found, and the stone is undergoing analysis, including colour and clarity grading.

 The stone is likely to be cut into smaller, but nonetheless large stones, at the firm’s own cutting facility at the TanzaniteOne mine site.

 TanzaniteOne’s CEO Bernard Olivier said, “Whilst we await the results of expert analysis on this significant discovery, we will continue to realise the potential of our mine, which produced a total of $15.8 million in sales for 2010.”

 Meanwhile, in separate news, TanzaniteOne said it achieved its annual production target of 2.2 million carats in 2010, up from 1.9 million carats in 2009.

 The average grade was 59 carats produced per tonne, compared with 51 carats per tonne in 2009.

 The company is also continuing to hold talk with the Tanzanian government over a ban on the export of rough tanzanite weighing more than five carats which came into effect on December 31.

Important Burma Ruby Ring from the Alice Appleton Hay Collection Sells for $1.3 Million

August 31st, 2011
Platinum, Ruby and Diamond Ring, Cartier: Sold for $1,314,500
 

 International bidding drove strong prices at Doyle New York’s April 13, 2011 sale of Important Estate Jewelry. On the block was a spectacular ruby ring by Cartier from the collection of Alice Appleton Hay (1887-1987) the daughter-in-law President Lincoln’s private secretary John Hay. Set with a natural Burma ruby of 6.29 carats, the ring attracted a great deal of international interest in the weeks leading up to the sale. Strong competitive bidding drove its price past the pre-sale estimate of $60,000-80,000 to reach for a staggering $1,314,500. At over $200,000 per carat, this is one of the highest prices per carat ever achieved for a ruby at auction.

Another noteworthy lot from the Hay Collection was very rare and important gold pocket watch and perfume sprinkler in the form a miniature flintlock pistol that achieved $482,500, several times its estimate of $100,000-150,000. When the trigger is pulled on this circa 1805 pistol, a flower emerges from the barrel sprinkling the target with perfume. Attributed to the Geneva firm of Moulinie, Bautte & Cie and manufactured for the Chinese market, this piece is one of fewer than fifteen examples known to exist.

A circa 1920 platinum and diamond long chain necklace from the Hay Collection was noteworthy for the quality and size of the diamonds and the workmanship. Totaling 48.00 carats and measuring 55 inches, the necklace achieved a stunning $452,500, many times its estimate of $50,000-70,000.

Bearing an Imperial provenance was an antique silver, gold and diamond Currant Leaf ‘en pampille’ brooch, circa 1850, that soared past its estimate of $50,000-70,000 to fetch $332,500. The brooch was part of the French Crown Jewels sold at an historic auction in the Louvre in 1887 following the fall of Napoleon III and his wife, Empress Eugenie. Tiffany & Co. was the largest purchaser at the sale, successfully buying almost a third of the crown jewels. These included two lots from the spectacular Currant Leaf diamond parure made by Bapst, the French Crown Jeweler, for Empress Eugenie. The brooch came with an antique box from Tiffany’s Paris showroom and an inscribed calling card from the legendary banker J. Pierpont Morgan presenting the brooch to one of Mrs. Hay’s forebears.

Two pendant-necklaces from the Hay Collection were the objects of much interest. An Art Deco platinum, carved pink tourmaline necklace adorned with black onyx, pearls and diamonds by Cartier achieved $230,500, many times its estimate of $30,000-50,000. An unsigned platinum, diamond and carved emerald pendant-necklace sold for $218,500, far surpassing its estimate of $50,000-70,000.

Property from other collections and estates featured a mystery-set ruby and emerald flower clip-brooch by Van Cleef & Arpels. The brooch doubled its estimate of $60,000-80,000, selling for $158,500. Iconic VCA mystery-set jewelry is currently the subject of an exhibition at the Cooper-Hewitt, National Design Museum in New York.

A chemist looks at Kate’s sapphire ring

August 31st, 2011

 

I am taking a break from the elemental table today because unless you’ve been hiding under a rock for the past few months, you know that William and Kate are getting married today. Which means that traffic in London will be a nightmare, so everyone in the UK is getting a holiday.

Even though Kate will no doubt be given lots of diamonds in the next few months, I rather like her sapphire engagement ring (see above, right), so I am sharing this video where our favourite chemistry professor tells us about the chemistry of this famous ring. This ring, which formerly belonged to Princess Diana, is a 12-carat sapphire, surrounded by 14 white diamonds set in 18-carat white gold.

For those of you who are interested, here are a few facts about sapphires:

  • Sapphires are comprised of aluminum oxide with plenty of iron ions (as impurities), which gives the sapphire its lovely blue colour.
  • Sapphires are extremely hard, ranking 9 of 10 on the Mohs Scale of mineral hardness. They are second only to diamonds in hardness and are similarly resistant to chipping.
  • Sapphires are a variety of stone known as corundum and they come in every colour from blue to green to pink — red is the exception; red corundum is known as the ruby.

And now, for some myths and traditions about sapphires:

  • Sapphires are a traditional gift on a 5th and 45th wedding anniversary (I am eagerly awaiting mine).
  • Sapphires are the jewel of wisdom, truth, beauty and clarity.
  • Sapphire is the birthstone for September, symbolising clear thinking.
  • The most valuable and popular sapphire is a deep blue shade called “corn-flower blue.” No doubt, this sapphire has lots of iron impurities in it since this is what generates that coveted blue colour.

Blues and greens settle in for spring

August 31st, 2011
 

Blue and green hues first appeared at New York’s fashion week earlier this year, and were prevalent on the red carpet for 2011 awards shows. Now, the colors are everywhere in jewelry, from ornate necklaces and rings to chunky cuffs and long earrings.

“Fashion designers have set the stage in terms of color for the season, so we will see that well into spring of 2012,” Michael O’Connor, jewelry style expert and celebrity stylist, says. 

As the cuff trend transcends its way into 2011, variations of the style will leave consumers with a host of bracelets to accessorize with. Designer Victor Velyan’s chrome diopside bracelet, made of 24-karat gold and silver.

Royal ring sapphire ‘came from Sri Lanka’

August 31st, 2011
 

A Sri Lankan jewellers’ organisation claims to have solved an enduring secret surrounding the engagement ring of royal fiancee Kate Middleton.

The famous sapphire at the heart of the ring came from a mine in the centre of the country 35 years ago, the Sri Lanka Gem and Jewellery Association says.

Royal jewellers Garrard refused to comment on the claims.

Prince William gave the ring to Miss Middleton in October. It was first worn by his mother Princess Diana in 1981.

A spokeswoman for Garrard told the BBC that the origins of the precious sapphire and blue diamonds in the ring – and their value – remained a closely guarded secret.

The sapphire at the centre of the ring is officially called the Ceylon Blue Sapphire, Sri Lanka Gem and Jewellery Association committee member Abdul Rahman Sheriff told the BBC Tamil service.

He said it was originally mined as a 32-carat uncut gem before being re-cut to 18 carats and sold to a gem dealer in Colombo.

Sri Lanka contains some of the most valuable gems in the world

Mr Sheriff said the dealer then sold it on to a Canadian jeweller who re-cut it into a 12-carat stone and in turn sold it to Garrard – the royal jewellers in London.

Garrard then mounted the gem on a ring surrounded by diamonds, he said, before placing it alongside other rings for Princess Diana to choose from for her engagement to Prince Charles in 1981.

The ring was presented by Prince William to Kate Middleton when the pair became engaged while on holiday in Kenya last October.

Mr Sheriff said that he was convinced his association could definitively trace the sapphire’s journey from its discovery in Matale district to its eventual arrival in London – although there is no way of independently verifying his claims.

“Deep intense blue combined with their high lustre makes Sri Lankan sapphires very distinctive while also making them the most sought after… in the world,” he told the BBC.

He said that the value of the sapphire was about $25,000 when it was mined – but its estimated market value today was in the region of $600,000.

The Sri Lanka Gem and Jewellery Association says the royal wedding has significantly boosted sales of Sri Lankan sapphires, and that worldwide demand now far outstrips supplies.

Gem mining is a seasonal activity in Sri Lanka and employs about 100,000 people – two-thirds of the island are believed to have the potential to contain gems.

Sri Lanka is known to produce more than 50 varieties of gem stones – second only to Brazil – and is believed to account for about 25% of global sapphire sales, worth an estimated $350m annually.

Sotheby’s Geneva to Sell the Most Important Emerald & Diamond Tiara to Come to Auction in 30 Years

August 31st, 2011

GENEVA.- David Bennett, Sotheby’s Chairman of Jewellery for Europe and the Middle East,  announced that Sotheby’s will sell the most valuable emerald and diamond Tiara to have appeared at auction in over 30 years in its sale of Magnificent and Noble Jewels in Geneva on the 17th May 2011. Estimated to sell for £3.1-6.2 million (CHF 4.5- 9 million / $5-10 million), the Highly Important and Extremely Rare Emerald and Diamond Tiara is composed of 11 exceptionally rare Colombian emerald pear-shaped drops which weigh over 500 carats in total, which may well have originally adorned the neck of a Maharajah. These emeralds are also believed to have been in the personal collection of Empress Eugénie.

This superb tiara, very much in the style of Amore & Baci, was commissioned, possibly from the renowned jewelers Chaumet, by Guido Count von Henckel, First Prince von Donnersmarck for his second wife Princess Katharina (1862-1929). The jewellery collection of the Donnersmarcks was known to be on a par with, or even to have exceeded, those of many of the crowned heads of Europe.

All Roads Lead to Fair Trade

August 31st, 2011

New York, NY, May 6, 2011 - Whether or not the colored stone industry is able to make a certification scheme like diamond’s Kimberley Process a reality should not preclude gem traders from executing practices that can ensure the legitimacy of its products through the supply chain, advocate speakers at the International Colored Gemstone Association’s 14th Biennial Congress in Rio de Janeiro, Brazil.

Tackling traceability, members of the gemological laboratory community shared their take on this complicated issue given the variety of gem types, origins within each type and the role labs can play in identifying gem footprints. “Origin identification not only provides historical reference and value basis, it’s becoming increasingly more important for traceability,” says Thomas Hainschwang, managing director GGTL GEMLAB, Geneva, Switzerland. He reports greater demand for these services that have shifted from a purely commercial aspiration to an ethical one.

Dr. Dietmar Schwarz, research manager for the Gubelin Gem Lab in Lucerne, Switzerland concurs: “As consumer awareness has increased in recent years, geographic origin reports have also become more important for those wishing to avoid politically or ethically challenged producer countries.” In fact, Hainschwang adds that by proving goods originate from ethically responsible sources, gems get new added value, equating to higher demand and acceptance in the market.

Hainschwang cites the use of infrared spectroscopy, UV-Vis-NIR spectroscopy, X-ray fluorescence, microscopic examination, luminescence imaging and other physical properties like inclusions, growth features and chemical characteristics—showing the differences between emeralds from Colombia and other producing nations like Brazil and Zambia.

Similarly, Schwarz employs “mineralogical-gemological fingerprinting” to identify origin of rubies and sapphires, from chemical and spectral to inclusion features, optical data, luminescence behavior, and isotope composition. “Origin determination is only possible because the properties of ruby and sapphire that are measured in the lab reflect the specific geological-genetic conditions that prevailed during their formation in nature,” he says. “Based on these properties, the gemologist can relate the unknown gem to a specific genetic environment like sapphire from a basalt-environment or ruby from a marble-type host rock.”

But Hainschwang notes that without the scientific backing of gemological laboratories via the development of a database from known geographic localities and/or specific geological environments with samples in situ and sample analysis and referencing, such traceability is not really possible.

Dr. Wilawan Atichat, director of the Gem and Jewelry Institute of Thailand (GIT), advocates the necessity for standardization of gem identification and certification among gemological laboratories. GIT amassed its own comparative database of chemical analysis and gem mapping for corundum deposits in Thailand, Sri Lanka, Madagascar, Vietnam, Burma, Tanzania, and Cambodia, Atichat reports.

She advocates the fortification of groups like the Gemstone Industry & Laboratory Conference (GILC), founded and organized by ICA which brings top industry leaders together to present research findings and discuss gemological, certification or laboratory and trade issues relevant to the gems and jewelry industry and to consumers.  

Atichat believes country of origin certification of colored stones could be beneficial to the gem supply chain with application in ethical mining and fair trade practices by increasing the reliability and value of a gem, its traceability of origin, and as a tracking alternative within a broader certification process. Among the cons are, varying opinions in origin determination among labs, and the use of such certification as a non-tariff barrier in global business.

But while the gem industry searches for the ideal fair trade model/certification scheme, it should not lose sight of what it can do now, says Robert Weldon, manager photography, laboratory publishing GIA. “Do the right thing” in all that you do. You will know it, your supplier will know it, and so will your customers.”

Weldon cites examples: Eric Braunwart of Columbia Gem House, Vancouver, Washington established detailed protocols identifying governments, miners and non-governmental organizations as his partners. Eric and Mark Saul of Swala Gem Trading built and run a school near their tsavorite mine in Lemshuko, Tanzania so local miners can bring their families to the region and educate their children. Marcelo Ribeiro plants and reforests the land and reclaims and purifies water at his Belmont Emerald Mine in Itabira. Brian Cook encourages sustainable farming among local mining families at his claims in Brazil. Ramiro Rivero focuses on worker wellbeing with reasonable work hours, equitable pay, meals, entertainment, and clinic at his ametrine mine in Anahí, Bolivia.

Weldon offered Congress attendees a blueprint for basic fair trade practices: establish guidelines all partners must sign and focus on; ensure all aspects of supply chain comply with fair trade goals; restore nature in mining efforts; provide value added benefits to remote mining communities; create sustainable adjuncts to mining operations; provide workers with adequate shelter, food, and health care; and work towards poverty alleviation, a living wage, and gender equality.

The Return of the Fabergé Egg

August 31st, 2011

Bejewelled, superbly crafted, each with its own intriguing story, and full of surprises, the first in a series of Couture Egg Pendants herald Springtime in the new Saisons Russes High Jewellery Collection from Fabergé, the jewellery and objects house that embraces creativity, craftsmanship and heritage.  The egg pendants, the first to bear the authentic Fabergé name since 1917, represent rebirth, new life that bursts forth in spring, welcomed and celebrated after the long, harsh Russian winter.

Paying homage to the legendary Imperial Eggs created by Peter Carl Fabergé for the Romanov family, and celebrating the Egg as a timeless universal symbol of life, Fabergé has designed a collection of one-of-a-kind High Jewellery Egg Pendants, Les Fameux de Fabergé, each illustrating a traditional Russian proverb, through complex, multi-layered concepts brought to life by the finest craftsmanship in the world today. The first of these creations, launched in Paris, during Couture Week, July 2011, mark the beginning of a series of twelve High Jewellery Egg Pendants, one for every month of the year. Each egg pendant, a wearable object of desire, involves a lengthy, exacting and in many cases pioneering fabrication process, pushing boundaries of both design and manufacture, and taking  contemporary craftsmanship to a new level of sophistication.

True to its legacy, to the genius of Peter Carl Fabergé, the egg pendants fuse contemporary dynamism with age-old tradition, refined opulence with fable and folklore, superlative hand-craftsmanship and, in one instance, dazzling high-technology. The themes delve into the World of Fabergé, inspiration for all contemporary Fabergé collections. They include:
The Diaghilev Egg, “Everything has beauty, but not everyone sees it”, diamond circles shimmering with rubies, with an invisibly-set diamond drawer that opens at the push of a gemstone, to reveal a matching pendant. The Ribbon Egg, “A gift is better than a promise”, an elaborate gem-embroidered layered, articulated ribbon, based on traditional Russian prints and textiles, set at the top with a large diamond and ornamented with enamel, lacquer and precious stones, a kaleidoscope of colour and texture. The Cherry Egg, “Life is a bowl of cherries”, clustered with luscious cherries, in carved stones, gold and gems, with a hidden golden nut and then a golden pit inside. The Train des Fleurs Egg, “He that travels knows much,” recalling the train that brought flowers from Grasse, in the South of France, to St Petersburg, during the winter party season, ensuring the palace halls were filled with spring flowers and fragrance. The Chimère Egg, “What you see is not always what you get,” a puzzle egg, in the spirit of Russian fairy tales, with rotating segments, a fish, flower and frog, creating child-like fantasy creatures. The High Tech Egg, “Every man is the architect of his own fortune,” an intricate three-dimensional structure, playing with space, height, depth and colour to create a modernist framework. The Mosaic Egg, “Old love does not rust,” inspired by the eponymous Fabergé Imperial Egg and its interpretation of petit point embroidery, with delicate diamond lattice work at the both ends. The Diamond Egg, “Genius is simplicity,” a titanium egg, entirely invisibly-set with white diamonds, a feat never before achieved, delivering a frisson of delight at its weightlessness and brilliance. The Snake Egg, “Where there is love, there is no darkness”, the serpent curled around a glossy enamelled egg, re-interpreting a favourite Fabergé emblem, symbol of eternity and rebirth.
Fabergé will also offer a bespoke service for Les Fameux de Fabergé, for the creation of special, personal commissions of High Jewellery Egg Pendants. 

This exuberant collection of small, exquisitely-formed Fine Jewellery Egg Pendants recreates the abundance, joy and diversity of Peter Carl Fabergé’s original egg pendants.
With a repertoire of over 60 different designs, reinterpreting iconic Fabergé themes and resonating with echoes of Fabergé’s famous skills and artistry, the eggs offer a dazzling choice of materials, techniques and styles: carved hardstones and minerals, as varied as rock crystal, chrysoprase, snowflake obsidian, lavender jade, jadeite, pink opal, rutilated quartz, jasper and turquoise, conjuring up the rich mineral resources of the Ural Mountains, with their fables and legends; quilted gold, brushed gold, engraved gold, coloured gold in recherché red, pink, green, yellow and white, inspired by original Fabergé cigarette cases: oxidised silver; gem-glinting rococo openwork; enamels and lacquer, exquisitely degradé, inspired by traditional Russian lacquer-work, and lavished with Rococo gold-work: and immaculately pavé-set gems capturing the exotic, vibrant hues and striking graphic prints of the Ballets Russes.
A cluster of opulent and striking Zénaïde egg lockets is inspired by traditional Uzbek textiles, their intricate geometric patterns set with precious gems, a capsule collection poised between High and Fine Jewellery.

Each group of small fine jewellery egg pendants has its own story to tell, from the 18th century Rococo style favoured by Peter Carl Fabergé, through the tales of the minerals and magical stone flowers of the fabled Mistress of Copper Mountain, to the many gifts and presents that were an essential part of life at the Imperial Court. The individual collections include Oeuf Cadeau, Oeuf Matelassé Empereur, in quilted gold, Oeuf Impératrice and Oeuf Impératrice Emeraude, with its lush emerald tassel, the Oeuf Rosa Cloisonné, with cloisonné enamelled roses, Oeuf Rococo, Oeuf Barocco, Oeuf Sophia, Oeuf Nina, Oeuf Spirale, with dancing spiralling lines of gems, and Oeuf Pur, in simple, silky enamels.

H. Stern Jewelry Dances in Jerusalem

August 31st, 2011
 

The message spread within seconds: Roberto Stern was about to cross Mamilla Avenue any moment now and enter the elegant store overlooking David’s Citadel. The staff poised itself, tense and excited. It was as though King David himself was about to arrive. The anticipation ended with a modest, even somewhat shy entry of the man who now rules the H. Stern empire, the individual who is responsible for the revolution that has made H. Stern one of the leading jewelry brands. We sat down next to a side table, along with the general manager of H. Stern in Israel – Israel Kurt – who believes that if he doesn’t open a new store every year, he’s slipping.

Roberto Stern may have been sipping coffee when he noticed the daily paper. He caught sight of an article about the Brazilian dance troupe, Grupo Corpo. “It said that they perform Brazilian dances in a very unconventional, sensual way,” he recalls as we sit in H. Stern’s Mamilla Boulevard branch in Jerusalem. “I thought – that’s exactly what we do – we make unusual jewelry in sensual, flowing designs. I didn’t know anything about dance. I went to the box office. I bought a ticket, sat down, and watched. I was absolutely captivated – the music, the movement, all of it was fantastic. The next day I called the troupe’s manager. He listened to my idea – to create jewelry inspired by the dances – and said: ‘You are clearly much more creative than I am.’

That was the beginning of our shared journey. Our designers, along with me, began learning about music, ballet, choreography and costumes. At first we didn’t know where to begin. In the end, we created a collection of gold jewelry that resembles the dancers’ movements in the form of curved surfaces and flowing lines. They danced to the music of Bach, and we designed baroque style jewelry. We used diamonds for the beads of sweat that break out on the dancers’ skin. Ultimately, the collection represents the character we share – very Brazilian, very sensuous, constantly in motion and in the limelight.”

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